The lifeless corpse stood up and wandered aimlessly through the dark night.
I wrote about the wonders of redundancy before, but I’ve never used it for A Call to Edit. That’s probably because this is Cicero Grade’s first Call to Edit…cue the trumpets!
So in “A Call to Edit,” I encourage writers to take to their manuscripts and weed out all instances of the current subject. This time, we’ll be looking for redundancies like “sitting down,” “nodding yes,” and “screaming loudly.”
I’ve noticed that redundancies happen a lot with characters who are supposed to be intellectual. Note their dialogue, because it’s rampant:
“Tell me what it is that you need me to do.”
Sure, dialogue is the end-zone for grammarians. Okay, if you say so. Just look at this:
“Tell me what you need.”
Bravo! See how much more effective that is? Imagine this is as a whisper, a shout, or a threat. You don’t get that kind of versatility with all those extra words!
Take to your pages and post any redundancies you catch for a chance to win a Cicero Grade edit of 2,000 words!
Countdown to Submission Period: 2 days
“To escape criticism—do nothing, say nothing, be nothing.”
Let’s be honest. Why haven’t you showed anyone your work? It’s scary at first. Of course it is! And you will regret it in six months when the draft you showed is your “old style.” That’s the thing, though—if you never show anyone, you’ll never have any way to judge your improvement. (Okay, you could look into your folders of yore, but how often do you actually do that?)
Polish a story. Send it somewhere. Get rejected, edit, then send it elsewhere. Find someone to tell you exactly what is good and bad about your work. The team at Shadows Express never sends a form rejection. That’s why it’s a great place to submit to. What can it hurt?
Countdown to Submission Period: 3 days
Who are your favorite writers, and what is their advice? Post below!
The Spring Issue
It’s only a matter of days, folks! The Spring Issue of Shadows Express is on its way. Become a subscriber before publication day (March 21st) to get it in your inbox every quarter!
This is not a submit-n-publish place. Shadows accepts only the best, and when you read pieces like “God’s Telephone” and “Blavatsky’s Bus,” you’ll know: This is where you want your work.
We accept fiction, poetry, and non-fiction. Submissions open March 22nd. Don’t you want to add a magazine with merit to your resume`?
What an expensive mistake!
We all know what a noun is, right? Person, place, thing or idea. How about a pronoun? A word that takes the place of a noun. These are usually the first questions posed us in a grammar course, and people seem very comfortable with the definitions. When it comes to execution, though, there’s still a problem. People seem to be terrified to punctuate a plural possessive (s’) but are only too eager to add an apostrophe to words that don’t call for it.
I used to get very depressed by this…you know, very “Where’s my tanto,” but not anymore! Now I unsheathe my wakizashi and kill the offending error with Neeson-level stoicism. (I’m short, so a katana would be very unwieldy. Ha! See that? Samurai joke.)
Today, we’re going to talk about possessive pronouns. Here’s the rule:
Don’t use an apostrophe.
The thing is, a lot of pronouns are already built to be possessive. For him and her, or he and she, we have his and hers. No apostrophe!
Their dog is white.
Where would you even put an apostrophe there?
If you have questions, please post below!
Only the semicolon comes close to the comma’s record of misuse and abuse; in fact, the semicolon is often what the misused comma should have been. According to Purdue OWL, semicolons are necessary in three instances:
1. To join 2 independent clauses when the second clause restates the first or when the two clauses are of equal emphasis.
- Road construction in Dallas has hindered travel around town; streets have become covered with bulldozers, trucks, and cones.
2. To join 2 independent clauses when the second clause begins with a conjunctive adverb (however, therefore, moreover, furthermore, thus, meanwhile, nonetheless, otherwise) or a transition (in fact, for example, that is, for instance, in addition, in other words, on the other hand, even so).
- Terrorism in the United States has become a recent concern; in fact, the concern for America’s safety has led to an awareness of global terrorism.
3. To join elements of a series when individual items of the series already include commas.
- Recent sites of the Olympic Games include Athens, Greece; Salt Lake City, Utah; Sydney, Australia; Nagano, Japan.
Enter questions below!
According to Merriam-Webster, a clause is “a group of words containing a subject and a predicate and functioning as a member of a complex or compound sentence.” Clauses come in two pretty packages: the dependent and the independent.
An independent clause, or, “a group of words that contains a subject and predicate and expresses a complete thought,” is what is usually called a sentence. (We Grammarphiles say “independent clause” to be popular at parties.) This type of clause is the go-to car with a full gas tank; it can take you all the way to your destination.
A dependent clause is “a group of words that contains a subject and verb but does not express a complete thought.” Therefore, a dependent clause cannot be a sentence. This clause is…well, one of these. Don’t get the wrong idea: dependent clauses are not bad—they just cannot stand alone.
Why Writers Should Know This:
The only time an editor will pay attention to your dependent clauses is when you try to pass one off as a complete thought (read: sentence), like so:
When Jim was riding his bike.
“This is the sort of bloody nonsense up with which I will not put.”
You’ve heard of this rule, right? Don’t end a sentence with a preposition! Well depending on your style, you might want to think of it as only a guideline. Naysayers can quote this book or that, but don’t hold fast to something that might make a particularly fine sentence look confused. Sometimes, for the good of the work, there’s just no way around ending a sentence with a preposition.
There’s a particularly in-depth article by Geoffrey K. Pullum about the quotation above concerning the rule of prepositions paired with an object and those without. Also, there are claims that the “bloody nonsense” comment was misappropriated, but what evidence is there to back that up with?
Prepositions are great. Professors or Grammarphiles might hiss at you, but just smile and say, “What are you lookin’ at?”
Disclaimer: Don’t ever pair “at” with “where,” because it’s redundant. “Where are you?” says it all. “Where are you at?” says more than you would like to think.
A sentence needs legs to stand on: the subject and the predicate. The subject is who or what the sentence is about; the predicate is what the subject is doing.
In this sentence, Continue reading
“Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.”